Did you know Paul McCartney wrote “She’s a Woman” in just a few hours—and while mimicking Little Richard?
Released as the B-side to “I Feel Fine” in 1964, “She’s a Woman” was The Beatles’ first real attempt at fusing rock and reggae. Paul said he intentionally overdid the vocal, pushing his range to channel Little Richard’s energy.
The song features blistering rhythm guitar from John and a rawer, looser structure than their typical pop tunes. George Martin even added a piano part, so subtly mixed it was almost imperceptible—until you really listen.
And here’s a deep cut: This is one of the few Beatles songs that doesn’t explicitly include the word “love.” Yet it’s still full of emotion, with McCartney describing a woman who treats him right, not romantically.
“She’s a Woman” was among the last Beatles tracks ever played live in 1965—before they abandoned touring entirely.
Ever tried hearing the reggae pulse behind that driving beat? Re-listen now, and tell us if you hear it!